Larval in Waiting
arcs of palms donate
imperceptible asseverations
desert nightfall
we are destined
to resort
with the habitual coolness of a snake’s tongue
that brings to attendance an enigmatic path
like nakedness caught by the call of insects
silently turning on a door’s eye opposite walls
in absence of a friend’s brown skin lighting a candle
printing on sand she walks the way sandpipers curve the beach
clam colony the silence of prisoners at low tide
owl-eyed oak in a mouth-round hole the moon
barefoot sleeping under a tree bare roots
the size of this morning the warmth of this hair
noon circling on the face of its dreamer
two wishes not yet permanently meeting
luck of a flatter-kick the breath bereft of its length
released from talking a liquid consonant adjustable
weeping marble-framed assemblages barely lit
charmers with no attitude coming alongside
the youngest pair of scissors her quibbler lost
a neck-exposing talisman makes the street shadow ring
stone and ointment the call at the present
spare bedroom guest the one jogging depending on headphones
beside his letter
an astrological chart
filed on a DVD
carries adamantine bits
inside the dark voice
reading in reverse
up the spine my mother’s
frail connections
white appears
bone-folded
some sound sent
as we speak
does not arrive
over a migrating whisper
scrupulous inflamed
at which speed
aiming
ailing
she circumnavigates it
not unwillingly
curling
a black cat‘s tail
the air around attentive
forward backward
a flag
response on curtains when they open
one side to the dark their woven ears
tight touch along a collapsed bath rope
the weaver left her accusations
elastic beyond sleep a swan of this
wind’s white tracks changes
the creek as we go by so tender
trout-lovers aware of joining
spangled spawn light embodies
suspended bubbles on side-streams
children squeeze the juice of black berries
sudden entry sliding finger tips
checking into a slow motion’s affection
when the gate leans undecided on its bell
Swim of a Narrative
I
the gurgle the r before the g
one drop’s tongue into the path
not passing the one so far ahead
drop the repetition loaned
to softness for a while.
my pillow of wolf-haired yellow
undated at dawn the fur
the earliest riddle.
Is there a plan of compressed mixed
motion? From the breath of a fang
one feels the premonition is here
its blouse unbuttoned
as if a shift has meaning
in an age of corridors
sleeping in the self’s long view
II
In a dense net of a player’s toy
lured in with a swarm of guests
the spider at a museum
in the frame work of a picture by Vermeer
above the unexpected baby
diagonally cutting the format
the girl holds her lover’s letter folded.
Dutch light gives the season a doorway
of defense the doorstep showing
a catalogue of planned journeys
Off quicksand, the footprints periodically
one interior, one depreciation. Aladdin, his rusted lamp
needs sanding, needs a quick shine
on its silhouette’s internal face.
Equivalences before priorities. Such an effort to serve up
personified transgression, the cuckoo’s foreign egg
colors the nest; an eulogy of neglect, hinted? Can one
demand that such a collage becomes the invitation for a swim
dominated by salty strategies? Is Sunday Saturday’s warm grave
simply a parallel, a view seemingly differently parted?
One may express it mathematically as the rule of three,
but one can also figure it out emotionally as a warmer
more wet device: the dowser arrives smoothed,
a green switch preparing infrastructure, meanwhile
the confused wishes talk to each other.
The liberation of literary tools wrecking resources.
Bricks, before they get fired red, like a rose in a far away
lover’s dream.
Scorpion the entire neighborhood grows apart
by this earth or orb sign of the Zodiac.
Trade winds. Shall I be going to send Diana arrowheads?
With a dart of her tongue she seizes the comrade-in-arms.
One arrow points to a web site
advertising pig-skin slips click wrong page
keeping land mines abysmally active.
The left breast tattooed, the ink to follow her blue vein.
A vowel mutates to the map of purification.
River spawn
just as two people finish in puce laying side by side
stung
a bee’s lust fleeing hive-wards
virgin honey
III
It doesn’t support choosing. A former event passes the computer
the formatting seems evenly distracted, followed by a tail of light.
The night comes with the charm of financial arrangements.
I pay and you wear a petticoat for an alternating route.
Later we wish to place ourselves under a skylight
something not yet articulated holds up pressure.
Against glass it occurs clear, touchable by leaning
forward against a larger eye, the telescope.
Seldom one feels so very close and separated
like on the last day of December. Suppertime
on our plate
a painted swan takes off
the white of porcelain
IV
The line an artist draws refers to a dialogue. A lifelong
impatience is kept in a hand’s movement. Francis Bacon’s colors
are shaped through dialogues, resting finally in painfully winding
bodies of his friends. In fact, the pieces of dialogues are owned
by us, the visitors. Masterpieces fall in love with each other
later stay with collectors. Often, well balanced dialogues happen
between objects before men interfere.
Today, only a handful of American Indians would try to exchange
the softness of a daughter for a new bow.
The hunter’s tendon is tuned to D major before the arrow makes
contact with a deer. Then, a new dialogue occurs, the downer’s
mind travels contemplates
oh think how brown-skinned will be our tribe
V
A snake’s belly
up my ankle
say, Miss Tsí’gonĕ
do those teeth bite
if I wish for again?
question marks ascend
red above the point
the sailboat’s lanterns
as they sink
to a dive under the horizon
enrapture of intrusion
the private sphere a membrane
through the cellular
a man she had not seen
only the sound of a beggar
insistent indulgent
collaborative linking
the paper the pencil
epidemiological rouge
depending on the eraser
we speculate in the kitchen
why those two faucets
for different reasons
drop simultaneously
but unequally strong
VI
she / he
(the empty space reserved
for the unknown
mind
moving in)
The size of this morning the root of that hair
circling in the face of its dreamer
two wishes for one incident deep but not yet permanently
stone and ointmentthe call at the present
located at dawn at a barn owl’s beak
Luck of a flutter-kick, the breath bereft of its length
released from talking. The liquid consonant a fool’s choice,
adjustable. A weep for marble-framed assemblages
barely lit. Charmers’ reconciliation about masculine attitudes.
The youngest pair of scissors, her quibbler lost.
A tale-bearing talisman makes her shadow ring at the corner
spare bedroom guest
the one jogging at Half Moon Bay
depending on headphones
VII
Distortion, dissuasiveness? Since men can enjoy the fits
surfacing a sub why not women, too? Distress after fun?
In a stainless-steel-age crime burst in like Lautréamont’s
flooded stories. Energy, if so charming in disorder, what
would it be arranged?
Possession of an ocean that deep? In case Pandora would be
hanging around, let’s say unemployed by mortals, she could
be the Priestess in Command on board, her swaying altar
black with the smoke of sacrifices close to nuclear devices.
Morning glow, bells. An E oracle from Delphi arrives:
Look, this crew’s behavior can be thought through without an end.
A well pointed nuc moves freely by magnetic powers. Neither
spring is longer in the path of summer nor will
autumn stop winter from circling by the law of pull and push
over the gloss of an eggplant.
Breakfast. Machi Tawara in the process combining her knowledge
about koans with the message of a Greek sister’s oracle.
She keeps sucking on an angled straw dipped in warmed
spinach water. Longing for the conditioner, and after a delicate
make-up painting her eye brows as high as the waves roar.
She lets herself into one more meditation.
Her guided prayers and the cobalt box can spend time to fuse
until they become one at the target
incense
the smoke not to see through
incontrovertible sleep
(Swim of a Narrative, consisted of seven chapters of inter-genre poetry,
containing ghazal, free verse, one-liners, combinations of 3-liners and 5-liners,
prose, dialogue, stage-like scenes, riddle / koan, and symbiotic poetry)
Ocean City
the shore granted to shell games’
shine
on coupons
the wit in falsehood soldiers by invented actions
fastened to a belt
ammunition
on both partners
first choice last choice
math with no number an osprey’s cry my own
come catarrh
from a galaxy of krill
a whale leaps
through its nocturnal desire
into light above the sea
the shape of a landing
to whom to give in
as a composer antedating white and black
keys of a piano
adjusting the air
through refutation
of sound texture
night with a egg-white and yolk before parted
awakened by an iPod
peep & show
it offers some vibrations
transforming the way you text
a pocket-weapon camouflaged
combat inside at home soon overseas
a song in my palm pivoting the delta beyond smooth
In Search
Traveling in sound-territories. Each parcel wears a mask to find new contacts.
It can happen behind a subway window or under the cathedral's blue rosette in Chartres. We may imagine that such waves or particles of a journey unequivocally return their service
night - light the sea has a weaver moon-moved
Advice not settled can mean exchange. The more separation, the more will be invested for understanding. As long as the code of meaning is kept unknown, the partner / reader enjoys confusion deeply. Out of this demanding, tickling depth nervousness begins to trace areas begging for explanation.
Negligently, for a map showing a path to get away from here, we would like to bend a finger, start
all over, call it the joy, the concentrated effort in search for a new game, its purpose purblind persuaded
black eyes side by side one sleeps one is awake dominos
It Passes
A shade occurs
the cross marks its door
it passes over
Friday
it may later move a stone
Saturday that warm dresses will be losers
I am not home on Easter Sunday, think of hiding
eggs as an arrangement referring to rose water sweets
They come powdered
communicants their questions dipterous and tizzy
wish I too could go with marbles’ faster rolling
to switch to chalk’s white growing
overflow
flux oozing
this amount of April rain
Copper on a Minaret
her dusty dress
soft obliterating
yellow (if not orange
probably) in its own entourage
split
English tongues they realize
imploding breath by
Shock and Awe
ultra sound
widening a crater
black of burned bushes
spiraled prayer
home of a mosque
underneath
the oil floating the oil
the woods of ancient roots |
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